Offset has proposed to Cardi B. Offset asked the very large question on bended knee (sort of, it was more of a Crouching Tiger Hidden Migos thing) at Power 99's Powerhouse in Philadelphia. The two have been dating since the top of the year. Watch the cuteness of the proposal and Cardi's ecstatic reaction below.
A post shared by #1 Offset ❤️Cardi B Fanpage (@bardiset.page) on Aug 22, 2017 at 5:53pm PDT
An article fromReal Cool Nation titled “Exclusive: Cardi B Just Got Engaged To Migos Rapper Offset — He Proposed Last Night!” was published and added fuel to the fire. The article turned out not to be true, well, not until now at least.
Cardi is featured on Migos' new Culture 2 single “MotorSport” featuring Nicki Minaj. The track came out just hours prior to the proposal. Both Offset and Cardi B's 2017, even not taking into account this whole engagement business, has been spectacular.
“Get Throwed” is a landmark song for Houston rap music, and means much more beyond being a massive single off Bun B's first solo album, Trill. After UGK linked up with Jay Z on 2000's “Big Pimpin,” they were catapulted to a new level of fame, so Jay coming back and returning the favor with a feature only felt right.
But there's apparently a little bit more history to the song than we knew. During a new interview on the Rap Radar Podcast, Bun B confessed that Jay's appearance wasn't as innocent as it may have seemed on first glance. The Houston legend says Jay was clapping at someone on “Get Throwed,” and it sounds like it may have been someone close to him.
“If you listen to 'Get Throwed,' to Jay's verse—to some people it's going to be clearer than others—but there were shots fired in bars 8-12, and there were more shots from bars 12-16,” Bun B explains. “This was before [Nas]. This was more internal. You go back and listen to it, that's the only clue I'm going to give you.”
There are only 15 bars in Jay's verse, so we'll have to assume Bun meant 12-15 in his claim. But this begs the question: who the hell was Jay firing at on “Get Throwed,” and why? First, let's parse through the actual lyrics in question, starting from bar eight.
The competition is none, they deceased to exist
Let it breathe a little bit
He's off his rocker, he's a lil schiz'
Throwed like a football, Hov' used to cook raw
Now I got the game sewn like granny's good shawl
Pshaw, y'all niggas want war
Y'all got it backwards, y'all should want raw
Y'all should want more
The timeline suggested by Bun makes it really difficult to tell. Though “Get Throwed” came out in 2005, Bun claims this is something that came “before” his beef with Nas. What that means is anyone's guess; is Bun referring to how far Jay's relationship with the person goes back, or the period in which Jay was angered enough to pen these bars?
Things only really started to pick up between Jay and Nas around the turn of the century, but they had been trading subliminal shots for a lot of the mid-to-late 1990's. If Jay's animosity for someone in his crew goes back that far, it has to be someone real close. Either that, or Bun doesn't have the best grasp of the timeline, but he's the narrator here, so we gotta roll with it a little bit.
Here are a few of the strongest candidates.
I know, I know, Bun insists this is not about Nas. But you have to raise the question any time a Jay diss from that time period is mentioned, and it's not totally unfounded.
It's unclear whether the line about being a “lil schiz'” (short for schizophrenic) is referring to Jay himself or the person in question, but duplicity is something Jay attacked Nas hard for during their infamous battle. He referenced it briefly on “Takeover,” when he told the story about showing Nas his first Tec-9, but went even further on the title track of Blueprint 2. “Is it 'Oochie Wally Wally' or is it 'One Mic'? Is it 'Black Girl Lost' or shorty owe you for ice?”
The reference to “war” was also a trademark of his beef with the Queensbridge native. “If you want war then it's war it's gon' be,” he said on the BP2 intro, and he told the “little soldier” he wasn't ready for war on “Takeover.” There's a lot of circumstantial evidence suggesting Nas is the party in question.
But we'll take Bun's word for it on this one, and besides, by 2006 the two rappers were linking up for a song on Hip Hop Is Dead, the infamous “Black Republicans.” I doubt they'd be working together a year after “Get Throwed” if the battle was still raging on.
Here's a candidate that would appear to fit all the criteria for a good target. Dame Dash and Jay have a long and storied history together, having partnered with Kareem “Biggs” Burke to launch Roc-A-Fella Records in 1996, and nothing can build resentment like the passage of time. As Bun mentioned, this was allegedly an internal struggle, and given how influential Dame and Jay's voices were in any internal Roc-A-Fella conversations, there's no doubt they had some serious battles over the years.
During the mid-2000s, as the Roc's star started to rise, Jay and Dame began to clash even more, eventually leading to their separation as business partners. In interviews about their split conducted in the years since, other members of the Roc have admitted that Dame got a little too big for his britches. Consider what Beanie Sigel said in 2012.
“Dame was spending a lot of company money, going on a lot of trips and to other business ventures, robbing Peter to pay Paul,” he said. “Taking money from outta here and trying to build a brand and stuff, without consulting with his partners. That's what sort of really brought demise to Roc-A-Fella.”
When Dame did take his talents elsewhere, he started up a completely new venture, Roc4Life (which would eventually become Dame Dash Music Group), and tried to undercut Jay by taking some of his talent. That would explain Jay referring to multiple people wanting war in his verse; the shade was directed at Dame, but it also hints at the artists flocking with him to a new label.
Of course, there's one group in particular the two parties had a massive conflict over.
Cam'ron and the Diplomats
This is the answer that probably makes the most sense. Killa Cam and the gang coming to Roc-A-Fella in the first place was primarily orchestrated by Dash, a childhood friend of Cam'ron, and Jay was never really on the inside track of that relationship.
Though the partnership was successful and led to Cam's Come Home With Me going platinum on Roc-A-Fella, there was never a proper level of trust between all parties. Jim Jones and Dash accused Jay of stealing the beat that would become “Izzo (H.O.V.A.)” during a studio session in 2001, claiming the track was originally promised to Cam'ron. To make matters worse, Jay was in Europe and out of the loop when Dame Dash announced at a 2002 listening party that Cam'ron would be promoted to Vice President of Roc-A-Fella; Jay denied the promotion over the phone, and it was all downhill from there.
As it relates to “Get Throwed,” the bars seen up top can probably be seen as a shot at the Diplomats and Dame Dash simultaneously. Dame went off and did his own thing starting in 2004 following the sale of Roc-A-Fella to Def Jam, and he brought his friends along with him. Saying “y'all should want more” could be taken as a hint to Cam'ron, Jim Jones, and Juelz Santana that they were getting fucked over in whatever deal they had with Dash. Since Jay had worked with Dash for the majority of his career up until that point, he probably had an inkling of what they were in for.
Cam's first real shots at Jay didn't come until 2006 when he dropped “You Gotta Love It,” so Jay coming through with the subliminal in '05 may have been enough to prompt a full-scale attack from Cam and Co. later on. And if we're interpreting Cam's first Jay diss as a response to the bars on “Get Throwed,” there's even a not-so-subtle hint to back it up at the end of “You Gotta Love It.” Throwing the war line back at Jay, Cam apologizes to Beyoncé for what's about to go down with her man: “I'm sorry B, but I want a war.”
The real answer to the “Get Throwed” question is that it's probably intended to mock Dash, the Diplomats, and anyone else who was planning to team up with them in order to undermine Jay. The Diplomats were never really known as the most stable set of personalities in the world, so the schizophrenic nod could also be a nod to their eccentric, colorful (in Cam's case, literally colorful) personalities, which are either a flaw or a feature depending on how you feel about their music.
We'll probably never know if that's the answer for sure, because Jay doesn't do a whole lot of talking about old beef these days. But all signs point in this direction, so for now, it's what we'll choose to believe.
For the last four or five days, your Twitter timeline has no doubt been inundated with the nightmare situation known as Fyre Festival, which went from being a $12,000-a-pop music festival for the rich, white elite to what looked like a disaster recovery situation (with actual disaster relief tents). In the fallout, it's been announced that Ja Rule and the squad behind the Fyre Festivalis being hit with a $100 million class action lawsuit for their gross fuck up.
While it's been easy to chuck “Ja Rule The Scammer” tweets out there, it might be time to look at one of the other “names” on the Fyre Festival lawsuit; Billy McFarland. At 25, dude's already had his name affixed to a number of companies, primarily with an emphasis on millennials who want the finer things in life. He's one of those entrepreneurial guys who always seems to have a plan, and can apparently talk his way into a pile of money without truly delivering on his promises. A.k.a. the American way. Here's a look at Billy McFarland's pre-Fyre highlights.
McFarland's always been a businessman
When you were 13, you probably were trying to bag shorty in your math class; yung McFarland was already building his first startup, which apparently outsourced design work. A few years later, he was already dropping out of Bucknell University to found Spling, which at the time was another addition to the social networking space that secured $400,000 in funding back in 2011.
Neither of these startups caused as much havoc as his 2014 startup Magnises, which found McFarland creating his own black card (which after turned into an app, Magnises NOW) for millennials who were trying to get their IRL social status game up. It sounds dope, but apparently, you had to promise to spend $250,000 a year through the card (with a $250 annual fee) to get the Magnises perks like 24/7 concierge service, special treatment and discounts from elite brands and restaurants, and invites to exclusive events.
At the time, McFarland told Bloomberg that Magnises “enhances and really improves your everyday life in the city,” but in January of 2017, Business Insiderreported that cardholders felt scammed, saying that the perks that Magnises promised (which included everything from Hamilton tickets to SR-22 plane rides to the Hamptons) were not being met. At the time, McFarland said Magnises “hit some roadblocks along the way, and that's what happens when you grow really quickly, and that's on me.” But McFarland's troubles weren't focused solely on Magnises' troubles.
McFarland trashed his $13,000-a-month West Village home
It's a given that when most young guys secure a bag, they might go ham with their earnings. According to the New York Post, in 2013 McFarland had a 500-person birthday party for photographer/socialite Patrick McMullan at his $13,750-a-month duplex on Greenwich Ave. This was one of many “blowout parties” that the landlord said caused roughly $62,000 worth of damage to the spot. At the time, the owner was looking for McFarland to pony up $100,000 in damages, but McFarland said the charges were “not valid.”
WTF is Fyre Media?
That's hard to say; according to LinkedIn, Fyre Media, Inc. was founded in 2015 is “an on demand service that makes booking the most influential celebrities, artists, athletes, models, and entertainers seamless and transparent.” They have an app, and it looks like some of their “exclusive” artists feature Fat Joe, Waka Flocka, Soulja Boy, Jim Jones, and Ja Rule. Rule, who has been listed as a co-founder of Fyre, is reportedly the “mastermind” behind the Fyre Festival, which McFarland was touting as a “luxury music festival” that was due to span two weekends (April 28-30, 2017 and May 5-7, 2017) in the Bahamas.
Aside from the musical acts, which were to include everyone from G.O.O.D. Music and Blink-182 to Disclosure and Lil Yachty, Fyre Festival was reportedly set to have $1 million worth of “hidden treasures” that would be found all over the island. It was also set to feature all kinds of rich, elite millennials attending, paying upwards of $12,000-a-pop to experience the music, art installations, talks, amazing food, and much more while chilling on the sands of Fyre Cay in the Bahamas.
As we now know, what the people got when they hit the island was the exact opposite of a “luxury music festival” experience, a day which McFarland told Rolling Stone was “definitely the toughest day” of his short, intriguing, possibly scam-filled life. It doesn't help that the festival appeared to be doomed from the start, with everything from “a rampant shark problem” and sandflies to the fucking FEMA tents and not having a stage(?!) setup revealed that Fyre was the dumpster fire it turned out to be from the rip.
McFarland also told Rolling Stone that “there will be make-up dates, May 2018 in the U.S., free for everybody who signed up for this festival,” although at this point, with his cache (and the social media shitstorm that followed the Fyre Festival) and that $100 million lawsuit looming over his head, what masochist would want to subject themselves to Fyre Festival, The Sequel?
Maybe McFarland needs to do what he does best: find new ways to rope money-hungry millennials into giving him more of their cheddar.