Dame Dash on Allegedly Slapping Harvey Weinstein: ‘Somebody Definitely Got Smacked’

Dame Dash is coyly pumping the brakes on a borderline urban myth that he put hands on exiled executive Harvey Weinstein for some allegedly sexist behavior. In the midst of November’s seemingly never-ending stream of Weinstein sexual assault allegations, Cam’ron took to the booth and claimed Dash slapped Weinstein for his allegedly foul behavior. The statement came in the form of one of Cam’s bars on the Diplomats track “Once Upon a Time.”

“No disrespecting the ladies word from my team/That’s the reason Dame smacked Harvey Weinstein/On the set of Paid in Full y’all gave him hell about it/Some foul shit happened once Capo tell ’em ’bout it…” Cam rapped.

When TMZ asked Dash if he indeed “smacked Harvey Weinstein,” he didn’t directly deny putting the proverbial paws on Weinstein. Dash seemed to dance around the answer like someone who was acutely aware of New York’s laws about physical assault and battery.

“I could say that somebody definitely got smacked on the set of Paid in Full,” Dash said. “I’ve never really liked the way Harvey treated my culture. I didn’t like the way he talked to people. I ain’t like the way he was treating my film. I’ve owned clubs with him, and a lot of things that were being alleged, everyone knew what was going on.”

Dame offered more, and if you can get past the casual shade he throws at Just Blaze and Wood Harris, the statement that “a lot of things that were being alleged, everyone knew what was going on” is particularly disturbing. 

Paid in Full was released in 2002, so there were at least a good 15 years of “everybody knew what was going on” before Weinstein had to face any consequences for decades of alleged sexual assaults. 

If you can read between the lines, Dash’s refusal to outright say he didn’t slap Weinstein combined with him claiming he got sued over the smacking (without mentioning the involved parties) leaves more questions than answers.

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André 3000: ‘When I Pass Away, People Will Find Hours and Hours of Files’

André 3000 interviews are few and far between, so whenever the celebrated rapper steps into the limelight for a convo on his latest happenings, it always feels like an event of sorts. His new Q&A with GQ Style is no different.

André sat down with the magazine’s Editor-in-Chief, Will Welch, for a lengthy talk about where he’s at musically, what he has in the vault, and why his longtime Outkast partner Big Boi is a better rapper than him.

The discussion also touched on a pretty entertaining topic: André, inspired by buying a bootleg Anita Baker shirt, wants to spearhead her official merch line.

On a more personal note, the ATLien revealed the one regret he would have if he died today. “Here’s the only thing that I would regret: Man, you know, there is still that album that you wanted to do.”

André previously told Complex he would be at peace if Outkast never dropped another album, and also compared rap to boxing. Here, he used Floyd Mayweather’s career as an analogy for his own.

Check out some choice excerpts below, and head over to GQ Style (the Holiday issue is available on newsstands now) where André also talks about his parents (both have passed) and his partnership with Tretorn.

On being at the end of his music career

It’s Mayweather. He knows. He’s like, yeah, I can fight maybe three more of ’em. But I’m slowing down, and I see these young kids coming up and I was them. And at a certain point, no matter how Mayweather you are, I think it’s classy to be like, you know what? [brushes off hands].

I think I have, like, maybe two more Mayweather fights… Or maybe one.

On what he’s got in his music vault

When I pass away, people will find hours and hours of files…hard drives and shit. It’s hard drives of me just in the house alone playing horrible guitar. Me playing piano. Me playing a little sax. I was trying to find out: What can I be excited about? Because I never was, to me, a great producer or a great writer or a great rapper. I always felt that I was less than everybody else, so I fought harder.

On why he believes Big Boi is the better rapper

When you watch early Outkast videos, Big Boi’s the leader. He always had the confidence, where I was kind of like the shy one. Big Boi can rap better than me—I always said that. If somebody said, “Pick who you want from Outkast to go to battle with you,” it wouldn’t be me. ’Cause like, what I’ma do? Say some mind shit? You can’t have thoughts in a battle—nobody gives a shit about that.

On feeling out of the loop with the current sound of rap

I hate going to the studio. So what’s got me going once again is me being excited about other artists. I’ve been working on producing a few artists. A couple projects. But here’s the crazy thing: I don’t have the pulse anymore. Rhythms change every generation. The intensity and the drums change. And I’m not on the pulse. I can’t pretend. It’s kinda like watching your uncle dance. So the only thing I can do is this kind of novelty, off thing for them.

For me, hip-hop is about freshness. You can always hop, but you won’t always be hip.

On his plans to start an Anita Baker T-shirt line

I’m an artist, and I’m buying bootleg shirts of another artist, so I felt bad. So I was like, maybe, so my conscience feels good, let me try to find an address for Anita and send her a little check. And it’ll be a joke, like, “Anita, I just bought these shirts, I feel bad about it, here’s $50.” Then I started thinking, wouldn’t it be great to design a line of Anita Baker tees and present the line to Anita? Maybe she needs some merch.

If she says no, hey, it’s fine. It was just an idea. There’s no way to lose here.

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Kaytranada: How His Music Went From His Basement to Dance Floors Around the World | The Culture

Kaytranada—the Haitian-born, Quebec-raised DJ and producer—started out messing with music on the family computer in his basement. Using production software, and posting his music online, Kaytra's use of technology helped him bring his unique sound into the real world. Years later the high school dropout's music can be heard on dance floors around the globe.

In our new episode of The Blueprint, Jinx visits Kaytranada at his parent’s home in Montreal to get the backstory on how he used a DIY approach to turn his dream into a reality, and the importance of his debut album 99.9%.

If you dive into Kaytranada’s catalog, you get the sense that he’s always pushing the boundaries for what his sound is, and it’s something that comes natural. “I don’t think about doing new, I just do it,” he says. “I keep on doing me, so that’s what the signature is.”

Kaytranada also shares advice for those looking for motivation to do something special, whether it’s in music or another passion. “It’s pretty much about doing what you love and following your dreams. It sounds really corny, but it’s so real. Deep down you know what you want, and you should go for it.”

Check out the full episode of The Culture with Kaytranada above, and if you’re still sleeping on 99.9% grab it here.

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Marshawn Lynch Made Several Jets Players Mad by Dancing on Sideline During Blowout

Marshawn Lynch played in his first home regular-season game for the Raiders on Sunday afternoon, and he made the most of it by running for 45 yards and one touchdown on 12 carries during a 45-20 win over the Jets. He also put together a memorable dance celebration on the sideline at the beginning of the fourth quarter that endeared him to the hometown crowd and showed off his love for Oakland.

Not everyone loved the dancing that Lynch did, though. After the game, a handful of Jets players spoke with the media and admitted that they were angry about seeing Lynch go full Beast Mode as “Oakland,” a song by Vell and DJ Mustard, played inside of Oakland Alameda Coliseum. They weren’t necessarily angry with Lynch himself, but several players revealed that they were angry with the situation that led to Lynch dancing with so much time left on the clock.

 

MOOD:

A post shared by NFL (@nfl) on Sep 17, 2017 at 3:38pm PDT

“It irks my ever-living nerves,” linebacker Jordan Jenkins said of Lynch's dancing, which came with the Raiders leading 35-13. “When I saw it happening, it was infuriating…That pissed me off. I’m an old-school guy. I don’t like when things like that happen. That was embarrassing, losing like that and having Marshawn dance like that. Great player, but seeing it happen, that should infuriate the whole team. It should infuriate everybody and we should have a good response coming into next Sunday.”

Jenkins later stopped short of referring to what Lynch did as “unsportsmanlike,” despite how angry it made him. “Guys dancing around, you can get mad at them—you’re supposed to. That’s football. You don’t blame it on unsportsmanlike,” he said. “He fights. He earned every bit of what he did today. I’m not going to take that away from him. Of course, I’m going to be pissed off at him for dancing like that, but that’s sports. That’s not unsportsmanlike at all.”

Nose tackle Steve McLendon added: “We’re upset because it seems like he was rubbing it in our face. But he’s winning, man. He can do whatever he wants to do.”

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And linebacker Darron Lee went as far as to label Lynch’s dancing “demoralizing.” But like many of his other teammates, he stopped just short of criticizing Lynch and admitted that it was the circumstances surrounding the game that frustrated him the most. “It’s their house—they can do whatever they want—but as a competitor, as a defender, you don’t like to see that type of stuff,” he said. “It’s demoralizing, but we have to bow up and keep fighting.”

After the game, Lynch didn’t have much to say about his dancing or the win that the Raiders earned to move them to 2-0 on the season. But he did state the obvious when he was asked what it was like to get the crowd going during the game. “It felt good,” he said.

Raiders fans are hoping for more of it in the coming weeks. They’ll hit the road for two games—including a Sunday Night Football matchup against the Redskins next Sunday—before returning to Oakland in Week 5 for a game against the Ravens.

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A Recap of New York Fashion Week Spring 2018

After a week of some of the biggest brands, designers, and celebrities all showing out for New York Fashion Week Spring 2018, it's now time to take a look back at some highlights. During a time when many people are questioning the importance of New York Fashion Week in comparison to its European counterparts, designers delivered some signature moments to lighten the discrediting of the festivities, even if only briefly. Brands like Helmut Lang, Opening Ceremony, Kith, Fenty Puma by Rihanna, and Alexander Wang all brought their own signature aesthetic to their respective shows. Here is a recap of some of the most entertaining shows from New York Fashion Week.

Some of the biggest celebrity cameos of the week came at Ronnie Fieg's Kith Sport show. The designer's second fashion show took place on Thursday night at the Classic Car Club Manhattan, where he showed off upcoming collections with brands like Moncler, Adidas Soccer, Champion, Iceberg, and Nike. Virgil Abloh, Scott Disick, and Carmelo Anthony were among the crowd, but two of the most memorable guests appeared on the runway. First, NBA Hall of Famer Scottie Pippen walked down the catwalk sporting pieces from Fieg's upcoming Nike collaboration. If that wasn't enough, Fieg decided to close out the show by putting a spotlight (literally) onto arguably the best basketball player in the world, LeBron James, who lip-synched the lyrics to Kanye West and Jay Z's “H.A.M.” 

Kith Spring/Summer 2018 Fashion Show
Kith's Spring/Summer 2018 fashion show. (Image via Getty/Randy Brooke/WireImage)

This past Saturday night, Alexander Wang took to Brooklyn to celebrate #WangFest. The mobile show included the likes of Bella Hadid and Kendall Jenner stepping out of an Alexander Wang tour bus before strutting down the Brooklyn streets. Their looks, complete with party style hats that read “WangFest,” further alluded to the show's party atmosphere. Notable attendants included Kim Kardashian West and Kris Jenner, amongst others. Of course, the after party that Wang has become known for did not disappoint either. Cardi B and Ja Rule hit the stage to perform, and Dunkin Donuts, Dominos, and Budweiser took care of the food and drinks for the affair. 

Alexander Wang Spring/Summer 2018 Fashion Show
Alexander Wang's Spring/Summer 2018 fashion show. (Image via Getty/Gotham/GC Images)

Sunday night brought about even more festivities with Rihanna showing off her motocross and surf-inspired Spring 2018 Fenty line at the Park Avenue Armory. This was Rihanna's return to New York after her last two collections were debuted in Paris. Staying true to the theme, dirt bike riders tricked off of ramps over pink sand mountains to start the show. RiRi also took her bow on the back of a motorbike. The show boasted a star-studded front row that included Cardi B, Offset, Big Sean, and Jhené Aiko, to name a few.

Fenty Puma by Rihanna's Spring/Summer 2018 fashion show
Fenty Puma by Rihanna's Spring/Summer 2018 fashion show. (Image via Getty/Randy Brooke/WireImage)

Opening Ceremony decided to show off its Spring 2018 collection a little differently as well. Humberto Leon and Carol Lim debuted their collection using a dance performance titled “Changers,” which was written and directed by Spike Jonze. The collection itself featured plays on the collegiate wardrobe like varsity jackets, club T-shirts, sweatpants, and flannel shirts.

On Monday, Shane Oliver debuted his first collection for Helmut Lang at Pearl River Mart. The collection heavily referenced Lang's archive with a lot of pieces featuring fetish design, and leather accents as an added twist from Oliver. The former Hood By Air designer also included memorable head-turners—like an oversized bra that converts into a bag—in his collection. The ready-to-wear featured a line of Helmut Lang tour merch that featured red and white “HELMUT” branding throughout. ASAP Ferg, Ian Connor, Lil Yachty, Jerry Lorenzo, and more were among those who sat front row. 

Helmut Lang Spring/Summer 2018 Fashion Show
Helmut Lang's Spring/Summer 2018 fashion show. (Image via Getty/Catwalking)

 

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Watch the Joyful Video for VanJess and Masego’s “Touch The Floor”

Nigerian-American sisters VanJess released “Touch The Floor” at the end of 2016, but the video is here at the perfect time to get the song back in summer rotation. With an assist from Masego, “Touch The Floor” is a sultry house-influenced R&B track and the video is a warm and colorful celebration of life. Find a drink, find someone to dance with, and hit play.

Watch the video, directed by Topshelf Junior above.

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Klay Thompson Gives Zero F*cks in Video Showing His Awkward Dance Moves at the Club

During an appearance on behalf of his Chinese sneaker sponsor Anta last weekend, Klay Thompson got rejected by the rim on one of the worst dunk attempts you’ll ever see. But did he let that ruin his offseason trip to China? No!

After that awful dunk attempt, lesser players might have spent the remainder of their trips hiding in their hotel rooms and anxiously awaiting the moment when they could go home. But Thompson, who is just a couple weeks removed from winning his second NBA title in three years, did the exact opposite.

On Wednesday, a video surfaced that showed him dancing at a nightclub called Face Club in China all by himself. As Tiësto played in the background, Thompson pumped his fists, grabbed his crotch, and even worked a sick spin move into the mix, all while those gathered at the club watched—and filmed—him. It was quite a sight:

 

Klay having the time of his life in China

A post shared by Warriors World (@officialwarriorsworld) on Jun 28, 2017 at 10:53am PDT

If you’re going to embarrass yourself by getting hung on a dunk, this is how you make a smooth recovery and make everyone forget all about it. Thompson’s dance moves have been all the rage on social media over the course of the last 24 hours with plenty of NBA fans chiming in on the clip:

Even Steph Curry had a reaction to it. He came across the clip of Thompson dancing on Instagram and couldn’t contain his tears of joy:

Thompson himself hasn’t gotten around to explaining WTF was going through his mind when he was letting loose in the club. But it looks like his trip to China is going way better than we thought it was after seeing his dunk fail earlier this week.

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Prodigy Beefed With All Your Favorite Rappers, and Always Held His Own

Albert “Prodigy” Johnson, whose death from complications from sickle cell anemia was confirmed Tuesday afternoon, was a true rap legend. As a part of the duo Mobb Deep with Kejuan “Havoc” Muchita, and on his own (especially when partnering with producer Daniel “The Alchemist” Maman), P made classic music that will stand the test of time.

But almost as much as writing great rhymes, Prodigy loved a good rap beef. His career was filled with battles against many of the greatest rappers of all time, and he usually gave as good as he got.

Here is a by-no-means-definitive list of some of P's greatest rap beefs.

Tha Dogg Pound and 2Pac

In his 2011 memoir My Infamous Life, Prodigy traces his beef with nearly the entire West Coast to one video. He says that the clip for Tha Dogg Pound's collaboration with Snoop Dogg, “New York, New York,” which featured the rappers blown up to Godzilla size, walking through NYC wreaking havoc, was something he took personally.

So Mobb Deep teamed up with Capone-N-Noreaga and made “L.A., L.A.” in retaliation. As the East-West rivalry began to heat up, 2Pac, newly signed to Death Row, decided to get involved. 'Pac went at nearly everybody—Big, Nas, Jay Z, and Mobb Deep, plus a few more people for good measure—on “Hit 'Em Up.”

“Don't one of you niggas got sickle cell or something?” Pac teased on the track. “You fuck around with me, you about to have a seizure or a heart attack.”

P struck back immediately. In his book, he says that the very same day he first heard “Hit 'Em Up,” he went to the studio and recorded the vicious “Drop a Gem on 'Em.”

Sadly, just a few weeks later, 'Pac was killed.

Keith Murray and Def Squad

On the now-famous (and oft-parodied) monologue “The Infamous Prelude,” Prodigy took shots at (nameless) rappers who talk about “how much weed you smoke” and “space shit.”

One rapper who did just that, Keith Murray of Def Squad, felt some type of way. Eventually, they squashed the beef at a video shoot. That is, until Prodigy ignited it again by rhyming about “def kids feeling guilty 'bout the space shit” on LL Cool J's “I Shot Ya”—a record on which Murray appeared as well. 

At that point, Murray got into a fight with P outside NYC nightclub the Tunnel (“Keith Murray and his whole clique/Yeah, you snuffed me in front of the cops, that's bullshit,” Prodigy recalled on “In the Long Run”). The two would continue trading disses back and forth for years.

Jay Z

The “New York, New York” video actually started a second major beef in Prodigy's career. Jay made a passing reference to the clip on his 1998 song “Money, Cash, Hoes”: “It's like New York's been soft ever since Snoop came through and crushed the building.”

It was a line Prodigy took public exception to. “Jay was nowhere to be found when that drama popped off between Mobb Deep, Dogg Pound, Pac, and Biggie,” P told The Source. “That was our little personal beef, not a coastal war… so Jay Z is a bitch-ass nigga for making that quote in his lyrics.”

Tensions that had been stewing for years (there were, P claimed, subliminals thrown back and forth on “Trife Life” and “Where I'm From”) exploded in 2001 when Hov debuted his Mobb Deep diss “Takeover” live at Summer Jam, and included the now-infamous picture of a young Prodigy at his grandmother's dance school. 

“I did like the tactic that Jay used,” Prodigy said years later, about the photo displayed on the Summer Jam screen. “That was pretty slick.” He fired back with “Crawlin'”—and, at least according to his memoir, by nearly beating Jay up at Diddy's restaurant, Justin's

Nas

On “Destroy and Rebuild,” released in 2001, Nas took some shots at P, but in a very Nas-like way: “Prodigy, I got love for you,” he says on the song's outro. “Just get them unloyal niggas from out your circle.” Prodigy claimed in his book that Nas rapped this because “he was mad at me for doing a song with Cormega on which Mega took shots at Nas in his verse.”

But there was actually another, deeper level. P said in an interview on Vlad TV that some of Nas' Queensbridge friends were upset that Prodigy was repping their hood even though he wasn't originally from there. 

“I can't even really be mad at Nas, because these is the people he grew up with,” P said. “I had to distance myself from them, because [Nas is] standing next to someone who's threatening my life… that's how it got kind of crazy.” Nas and P reconciled when Prodigy returned home from prison in 2011.

Saigon and Tru Life

To hear Saigon tell it, the origin of this beef comes from Prodigy double-dipping. 

“Prodigy stole $15,000 from Tru Life. Not stole it, but he did a verse for him, and went and did the same verse and took the money, and then went and did the same verse on some other shit,” Sai told This Is 50. “Tru was like, 'Aight, give me another verse.' Son kept ducking.”

Tru Life and Mobb had serious issues from then on, which were documented in the film Beef. Tru claims he and his crew ran into a Mobb studio session with guns and beat some people up.

Because Tru Life and Saigon were close, Sai got dragged in as things escalated. Not helping matters was an interview where P said he didn't like Saigon—something Saigon saw and promised retaliation. It all culminated in a fight between Mobb Deep and Sai at SOBs in the fall of 2007. The two would continue to snipe at each other well into 2011.

As for Tru, he and Prodigy would finally reconcile in 2016.

Crooked I

While incarcerated, P was still keeping up to date on what was going on in hip-hop. Vibe conducted a poll about the best rapper alive in 2008, and Prodigy was not happy with the results. “Vibe says 920,000 people voted for it,” he wrote in a letter. “I would personally bitch slap all 920,000 of these voters if given the opportunity. Who in the fuck picked Crooked I, Flo Rida, and Rich Boy? How did Vibe approve this?”

Crooked responded by challenging Prodigy to a fight.

Havoc

P's propensity for feuds even extended to his own Mobb Deep collaborator, Havoc. In the spring of 2012, Havoc sent out a bunch of strange tweets attacking his partner in rhyme. He went as far as accusing P of having a homosexual relationship while locked up. “”I got n***as in the jail system to back up that prodigy was fucking homes in jail,” he wrote. 

Havoc then released a statement saying his phone was stolen. But that was proven to be a lie when audio of Havoc going at P was leaked to the Breakfast Club. The group went on temporary hiatus, but reunited the following year.

But today, to mark his passing, it's been all love from the rap world. Prodigy is a legend and he will be missed. 

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Trending Topics: DJ Carnage on Donald Glover, Young Thug, and Game of Thrones

DJ Carnage is a name equally respected in dance and hip-hop circles. He's an established name on the live festival circuit, even starting his own, RARE, in Orlando. That's where he met Young Thug, and the two linked up for an EP that's coming soon. Carnage's other upcoming collaborations are no less impressive—Lil YachtyMigos, and Meek Mill are among those who have recently blessed a Carnage beat, and the results are massive. 

Those tracks are on the way, but when DJ Carnage stopped by the offices, we wanted to talk about the here and now. For the latest episode of Trending Topics, we asked the artist about that Thug EP, the many talents of Donald Glover, and what it takes to enjoy a festival the right way. Watch Carnage's Trending Topics above, and check out last week's cut with Ryan Hemsworth below. 

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Nicole Scherzinger Dances Her Way Through a Cardio Workout on Get Sweaty With Emily Oberg

Nicole Scherzinger teaches Emily her favorite dance cardio moves and talks about her upcoming projects.