Tekashi 69 Interview Reactions, Rich the Kid vs Uzi, Lupe Apologizes to Kendrick + More | Everyday Struggle

On today’s #EverydayStruggle, DJ Akademiks, Wayno, Nadeska, and Star break down Tekashi 69’s recent Breakfast Club interview, Rich the Kid going at Lil Uzi Vert even more, Lupe apologizing to everyone, and much more. 

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Migos, Cardi B, and Nicki Minaj’s “MotorSport” Is Here

After months of relentless teasing, the first single from Migos' Culture II has finally landed. “MotorSport” premiered Friday morning on the Breakfast Club shortly after the hosts endured a peculiar conversation with the Hillsong Church guy, just hours after a preview of the track landed on YouTube. 

Migos also teased the new track during their performance at Power 105.1's Powerhouse at Barclays Thursday night.

 

A post shared by Power 105.1 (@power1051) on Oct 26, 2017 at 8:17pm PDT

Check the full version of the soon-to-be-everywhere collaboration, featuring Cardi B and Nicki Minaj, below via Spotify. Murda Beatz and CuBeatz provide production.

Though we still don't have a formal Culture II release date, the arrival of “MotorSport” means we should likely expect the project soon. Judging by Quavo's recent headline-spawning social media activity, the collection may include a variety of additional top-shelf collaborators.

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Donald Glover, Lil Yachty, Drake, Chance the Rapper, Ty Dolla Sign, Big Sean, Travis Scott, and Kanye West have all been either been seen in the studio with Quavo or heard in frustratingly brief clips of already completed collabs. Culture II also boasts a mystery executive producer, with many album hype theorists predicting their identity as being synonymous with 🐐.

 

A post shared by QuavoHuncho (@quavohuncho) on Oct 24, 2017 at 6:09pm PDT

Cardi B and Nicki Minaj, thankfully, also have new projects on the way. For Cardi B, the release will mark her debut studio album and arrives on the wave of hype cultivated by one of the best (and biggest songs) of 2017. 

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Rick Ross Addresses ‘Insensitive Comment’ About Female Artists

In an interview with the Breakfast Club posted on Monday, Miami rapper Rick Ross was asked why he hadn’t signed any female artists to his Maybach Music Group imprint. “You know, I never did it because I always thought, like, I would end up fucking a female rapper and fucking the business up,” Ross said. “I'm so focused on my business. I just, I gotta be honest with you. You know, she looking good. I'm spending so much money on her photo shoots. I gotta fuck a couple times.”

As you might expect, many people were taken aback by the comments, calling them sexist. Criticism has clearly gotten back to Ross, who took to Facebook on Thursday to issue a statement and apology. 

I want to address an insensitive comment I made on a very sensitive issue, especially in a minority dominated industry like hip hop. My entire empire's backbone is led by 2 of the strongest people I know and they happen to be women, my mother and sister. The operations wouldn't run without them and I have the highest regard and respect for women in this industry. I have a daughter myself, my most cherished gift in the world.

My comment is not reflection of my beliefs on the issue. A mistake I regret. I hope to use my mistake, my platform and the community to create positive discussion to implement change on a very important issue. respect for the ones who stand up to say hey that isn't right. Now it's time to accept responsibility and all do better.

I look forward to continue working with & supporting female artists. my discovery process was documented by vh1 on #signed which premiered last night. Many of the most talented artists you'll see in the running to be the next #MMG superstars are female artists. I look forward to clarifying my comments through my support.

Thank you to everyone who's going through the journey with me, we coming out everyday stronger.​

Ross also used his Facebook page to pay tribute to Lundy, a late female emcee who was affiliated with MMG before her death this past spring. “For those who listened to the interview in its entirety, I mentioned a beloved friend and female artist,” he wrote. “Lundy my lil sis who I mentored, may you rest in power. A female artist who's amazing artistry will live on.”

His statement glows with female appreciation and his note about Lundy is touching, but it doesn't take away from the fact that Ross is on thin ice with women, right alongside R. Kelly and Tyga, who both exhibit predatory behavior on a regular basis. Between this and his “U.O.E.N.O” slip-up, Ross should tread lightly from here on out. 

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Prodigy Beefed With All Your Favorite Rappers, and Always Held His Own

Albert “Prodigy” Johnson, whose death from complications from sickle cell anemia was confirmed Tuesday afternoon, was a true rap legend. As a part of the duo Mobb Deep with Kejuan “Havoc” Muchita, and on his own (especially when partnering with producer Daniel “The Alchemist” Maman), P made classic music that will stand the test of time.

But almost as much as writing great rhymes, Prodigy loved a good rap beef. His career was filled with battles against many of the greatest rappers of all time, and he usually gave as good as he got.

Here is a by-no-means-definitive list of some of P's greatest rap beefs.

Tha Dogg Pound and 2Pac

In his 2011 memoir My Infamous Life, Prodigy traces his beef with nearly the entire West Coast to one video. He says that the clip for Tha Dogg Pound's collaboration with Snoop Dogg, “New York, New York,” which featured the rappers blown up to Godzilla size, walking through NYC wreaking havoc, was something he took personally.

So Mobb Deep teamed up with Capone-N-Noreaga and made “L.A., L.A.” in retaliation. As the East-West rivalry began to heat up, 2Pac, newly signed to Death Row, decided to get involved. 'Pac went at nearly everybody—Big, Nas, Jay Z, and Mobb Deep, plus a few more people for good measure—on “Hit 'Em Up.”

“Don't one of you niggas got sickle cell or something?” Pac teased on the track. “You fuck around with me, you about to have a seizure or a heart attack.”

P struck back immediately. In his book, he says that the very same day he first heard “Hit 'Em Up,” he went to the studio and recorded the vicious “Drop a Gem on 'Em.”

Sadly, just a few weeks later, 'Pac was killed.

Keith Murray and Def Squad

On the now-famous (and oft-parodied) monologue “The Infamous Prelude,” Prodigy took shots at (nameless) rappers who talk about “how much weed you smoke” and “space shit.”

One rapper who did just that, Keith Murray of Def Squad, felt some type of way. Eventually, they squashed the beef at a video shoot. That is, until Prodigy ignited it again by rhyming about “def kids feeling guilty 'bout the space shit” on LL Cool J's “I Shot Ya”—a record on which Murray appeared as well. 

At that point, Murray got into a fight with P outside NYC nightclub the Tunnel (“Keith Murray and his whole clique/Yeah, you snuffed me in front of the cops, that's bullshit,” Prodigy recalled on “In the Long Run”). The two would continue trading disses back and forth for years.

Jay Z

The “New York, New York” video actually started a second major beef in Prodigy's career. Jay made a passing reference to the clip on his 1998 song “Money, Cash, Hoes”: “It's like New York's been soft ever since Snoop came through and crushed the building.”

It was a line Prodigy took public exception to. “Jay was nowhere to be found when that drama popped off between Mobb Deep, Dogg Pound, Pac, and Biggie,” P told The Source. “That was our little personal beef, not a coastal war… so Jay Z is a bitch-ass nigga for making that quote in his lyrics.”

Tensions that had been stewing for years (there were, P claimed, subliminals thrown back and forth on “Trife Life” and “Where I'm From”) exploded in 2001 when Hov debuted his Mobb Deep diss “Takeover” live at Summer Jam, and included the now-infamous picture of a young Prodigy at his grandmother's dance school. 

“I did like the tactic that Jay used,” Prodigy said years later, about the photo displayed on the Summer Jam screen. “That was pretty slick.” He fired back with “Crawlin'”—and, at least according to his memoir, by nearly beating Jay up at Diddy's restaurant, Justin's

Nas

On “Destroy and Rebuild,” released in 2001, Nas took some shots at P, but in a very Nas-like way: “Prodigy, I got love for you,” he says on the song's outro. “Just get them unloyal niggas from out your circle.” Prodigy claimed in his book that Nas rapped this because “he was mad at me for doing a song with Cormega on which Mega took shots at Nas in his verse.”

But there was actually another, deeper level. P said in an interview on Vlad TV that some of Nas' Queensbridge friends were upset that Prodigy was repping their hood even though he wasn't originally from there. 

“I can't even really be mad at Nas, because these is the people he grew up with,” P said. “I had to distance myself from them, because [Nas is] standing next to someone who's threatening my life… that's how it got kind of crazy.” Nas and P reconciled when Prodigy returned home from prison in 2011.

Saigon and Tru Life

To hear Saigon tell it, the origin of this beef comes from Prodigy double-dipping. 

“Prodigy stole $15,000 from Tru Life. Not stole it, but he did a verse for him, and went and did the same verse and took the money, and then went and did the same verse on some other shit,” Sai told This Is 50. “Tru was like, 'Aight, give me another verse.' Son kept ducking.”

Tru Life and Mobb had serious issues from then on, which were documented in the film Beef. Tru claims he and his crew ran into a Mobb studio session with guns and beat some people up.

Because Tru Life and Saigon were close, Sai got dragged in as things escalated. Not helping matters was an interview where P said he didn't like Saigon—something Saigon saw and promised retaliation. It all culminated in a fight between Mobb Deep and Sai at SOBs in the fall of 2007. The two would continue to snipe at each other well into 2011.

As for Tru, he and Prodigy would finally reconcile in 2016.

Crooked I

While incarcerated, P was still keeping up to date on what was going on in hip-hop. Vibe conducted a poll about the best rapper alive in 2008, and Prodigy was not happy with the results. “Vibe says 920,000 people voted for it,” he wrote in a letter. “I would personally bitch slap all 920,000 of these voters if given the opportunity. Who in the fuck picked Crooked I, Flo Rida, and Rich Boy? How did Vibe approve this?”

Crooked responded by challenging Prodigy to a fight.

Havoc

P's propensity for feuds even extended to his own Mobb Deep collaborator, Havoc. In the spring of 2012, Havoc sent out a bunch of strange tweets attacking his partner in rhyme. He went as far as accusing P of having a homosexual relationship while locked up. “”I got n***as in the jail system to back up that prodigy was fucking homes in jail,” he wrote. 

Havoc then released a statement saying his phone was stolen. But that was proven to be a lie when audio of Havoc going at P was leaked to the Breakfast Club. The group went on temporary hiatus, but reunited the following year.

But today, to mark his passing, it's been all love from the rap world. Prodigy is a legend and he will be missed. 

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DJ Khaled Breaks Silence on Relationship With Birdman on ‘The Breakfast Club’

To mark the release of his new Rihanna and Bryson Tiller collaboration “Wild Thoughts,” DJ Khaled dropped by The Breakfast Club Friday morning to discuss his upcoming album Grateful and to shed more light on the story behind Rick Ross' Birdman diss song, “Idols Become Rivals.” Khaled, who's mentioned at the end of the Rather You Than Me single, said he still appreciates the opportunities Birdman gave him. As for Cash Money business dealings, Khaled declined to elaborate.

“You know, Ross is my brother since, like, day one,” Khaled said when asked how he felt the first time he heard Ross' track. “That's family. Me and him come from the bottom, the mud to marble floors. When he shouted me out on that record, that's what you call a real friend, family…loves me and I love him back. Me and him are, like, forever. Music or no music. It's Khaled and Ross forever, meaning that's my brother. I appreciate the love and shout-out.”

What Ross was expressing in that shout-out, Khaled said, was that he's a good and grateful person. “He was basically expressing 'Khaled's a hard worker, he a good person, he a grateful person, and everybody he's ever dealt with, he's always been good and he never complain,'” Khaled said. “Ross is basically saying, 'Khaled, he don't complain. He keep it moving.' I think y'all know me as a person. Y'all never heard me come and talk about people and stuff like that. He's basically saying, 'Yo, Khaled, You blessed. Keep winning. Don't stop.'”

Asked specifically about Birdman, Khaled took the high road. “Birdman, that's my friend,” he said. “I wanna be clear. As far as anybody that has a situation, I pray and I hope that people can talk to each other and work things out. Birdman, all that is is, you know, at one point I just moved on with We the Best. I got nothing but love for Birdman. They gave me an opportunity. I appreciate every opportunity that's ever given to me. It doesn't matter what happens to the opportunity, it's an opportunity. It's an opportunity and I’m grateful for that.” Back in March, a theory about Khaled's “they” being a Birdman reference caught fire.

Khaled also praised Birdman and Cash Money's legacy, telling the Breakfast Club team he hoped that “all that stuff” would be solved one day. “I don't discuss business,” he said. “But at the end of the day, me and them are good.”

Watch the full DJ Khaled x Breakfast Club interview, including some fatherhood talk and plenty of Grateful insight, above.

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