A Recap of New York Fashion Week Spring 2018

After a week of some of the biggest brands, designers, and celebrities all showing out for New York Fashion Week Spring 2018, it's now time to take a look back at some highlights. During a time when many people are questioning the importance of New York Fashion Week in comparison to its European counterparts, designers delivered some signature moments to lighten the discrediting of the festivities, even if only briefly. Brands like Helmut Lang, Opening Ceremony, Kith, Fenty Puma by Rihanna, and Alexander Wang all brought their own signature aesthetic to their respective shows. Here is a recap of some of the most entertaining shows from New York Fashion Week.

Some of the biggest celebrity cameos of the week came at Ronnie Fieg's Kith Sport show. The designer's second fashion show took place on Thursday night at the Classic Car Club Manhattan, where he showed off upcoming collections with brands like Moncler, Adidas Soccer, Champion, Iceberg, and Nike. Virgil Abloh, Scott Disick, and Carmelo Anthony were among the crowd, but two of the most memorable guests appeared on the runway. First, NBA Hall of Famer Scottie Pippen walked down the catwalk sporting pieces from Fieg's upcoming Nike collaboration. If that wasn't enough, Fieg decided to close out the show by putting a spotlight (literally) onto arguably the best basketball player in the world, LeBron James, who lip-synched the lyrics to Kanye West and Jay Z's “H.A.M.” 

Kith Spring/Summer 2018 Fashion Show
Kith's Spring/Summer 2018 fashion show. (Image via Getty/Randy Brooke/WireImage)

This past Saturday night, Alexander Wang took to Brooklyn to celebrate #WangFest. The mobile show included the likes of Bella Hadid and Kendall Jenner stepping out of an Alexander Wang tour bus before strutting down the Brooklyn streets. Their looks, complete with party style hats that read “WangFest,” further alluded to the show's party atmosphere. Notable attendants included Kim Kardashian West and Kris Jenner, amongst others. Of course, the after party that Wang has become known for did not disappoint either. Cardi B and Ja Rule hit the stage to perform, and Dunkin Donuts, Dominos, and Budweiser took care of the food and drinks for the affair. 

Alexander Wang Spring/Summer 2018 Fashion Show
Alexander Wang's Spring/Summer 2018 fashion show. (Image via Getty/Gotham/GC Images)

Sunday night brought about even more festivities with Rihanna showing off her motocross and surf-inspired Spring 2018 Fenty line at the Park Avenue Armory. This was Rihanna's return to New York after her last two collections were debuted in Paris. Staying true to the theme, dirt bike riders tricked off of ramps over pink sand mountains to start the show. RiRi also took her bow on the back of a motorbike. The show boasted a star-studded front row that included Cardi B, Offset, Big Sean, and Jhené Aiko, to name a few.

Fenty Puma by Rihanna's Spring/Summer 2018 fashion show
Fenty Puma by Rihanna's Spring/Summer 2018 fashion show. (Image via Getty/Randy Brooke/WireImage)

Opening Ceremony decided to show off its Spring 2018 collection a little differently as well. Humberto Leon and Carol Lim debuted their collection using a dance performance titled “Changers,” which was written and directed by Spike Jonze. The collection itself featured plays on the collegiate wardrobe like varsity jackets, club T-shirts, sweatpants, and flannel shirts.

On Monday, Shane Oliver debuted his first collection for Helmut Lang at Pearl River Mart. The collection heavily referenced Lang's archive with a lot of pieces featuring fetish design, and leather accents as an added twist from Oliver. The former Hood By Air designer also included memorable head-turners—like an oversized bra that converts into a bag—in his collection. The ready-to-wear featured a line of Helmut Lang tour merch that featured red and white “HELMUT” branding throughout. ASAP Ferg, Ian Connor, Lil Yachty, Jerry Lorenzo, and more were among those who sat front row. 

Helmut Lang Spring/Summer 2018 Fashion Show
Helmut Lang's Spring/Summer 2018 fashion show. (Image via Getty/Catwalking)


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New Report Exposes Alleged Concert Ticket Scheme Orchestrated by Fyre Festival Organizer

When reports started coming out about the doomed Fyre Festival, which was originally billed as a “luxury” music festival and advertised by the likes of Kendall Jenner and Bella Hadid and which promised performances from Pusha T, Desiigner, Lil Yachty, Blink-182, and more, it became clear the whole thing had sounded too good to be true.

Billy McFarland, one of the masterminds behind the catastrophic festival and the owner of Fyre Media, has been hit with several lawsuits, arrested and charged with fraud, and been forced to place Fyre Festival LLC under involuntary bankruptcy. But Fyre Media is not the only company McFarland owned. He is also the CEO of Magnises, a company he founded prior to Fyre Media, that functioned as a members-only concierge service. However, documents acquired by VICE News suggest McFarland has been mismanaging that company’s finances, too, by running what appeared to be a complicated concert ticket scheme.


One of the benefits that Magnises offered its members was discounted concert and event tickets. But credit card records suggest that McFarland was buying the tickets from third-party distributors like Ticketmaster, StubHub, and Vivid Seats and then selling them to Magnises members at a significant loss.

Moreover, McFarland used a Fyre Media corporate credit card to pay for many of the Magnises tickets, effectively ensuring that both companies suffered similar financial woes even though they were entirely different entities. McFarland allegedly charged his Fyre Media American Express credit card for more than $1 million worth of tickets in just four months.

The records also show that other Fyre Media company credit cards were issued to at least nine employees including co-founder Ja Rule and Grant Margolin, the music festival’s marketing director. But the charges on those cards “appear reasonably related to the Fyre Media business,” according to VICE. It's the charges on McFarland’s card that raise the most eyebrows, since that’s where more than $1 million worth of Ticketmaster, StubHub, and Vivid Seats tickets were charged.

The problem for McFarland is that Fyre Media was conceived as an app for people to book artists for private events. It never claimed to sell tickets for concerts and events. Magnises did.


Former employees and Magnises members claim that McFarland would advertise and sell tickets to events he did not already have tickets to. And when the event dates arrived, McFarland would either cancel the reservations or provide tickets purchased through third-party organizations.

For example, Magnises advertised tickets to a series of Adele concerts in September 2016. A former employee told VICE McFarland did not possess the tickets he advertised and the whole situation sounds like it was a total clusterfuck.

“What happened with Adele was that we found out that Billy wasn’t going through a source in Live Nation at all, because for that concert, there were no e-tickets available; the whole thing was all ticket stubs,” the anonymous former employee told VICE. “We had to go and meet with these brokers who act as third-party buyers around MSG. And we’re spending the whole time running around the city trying to get them together and figure out how many they have and who’s going to go in which section.”

What’s more, McFarland was apparently buying the tickets on the same day as the performances. McFarland’s credit card records show more than $150,000 worth of StubHub, Vivid Seats, Fan Exchange, and My Ticket Tracker charges on September 19, 20, 22, 23, 25 and 26, the exact days Adele was performing at Madison Square Garden. There were no ticket charges on September 21 and 24, when she did not perform.

A similar situation happened when Magnises offered members $250 tickets for Hamilton. McFarland’s Fyre Media American Express records have charges totaling almost $30,000 labeled with Vivid Seats and Hamilton. The cheapest transaction with this label is $1,401.30, which means McFarland was operating on at least a $1,200 loss per ticket for this Hamilton deal through Magnises.

Finally, McFarland’s company offered discounted floor tickets to Kanye West’s Saint Pablo Tour in June 2016 at $275 each, about $100 less than the median resale ticket price. As should be expected by now, McFarland’s credit card records show more than $10,000 worth of Ticketmaster charges on the first night the Saint Pablo Tour arrived in New York City, September 5, 2016, also at Madison Square Garden.

All of this appears as though it's going to make life even more difficult for McFarland. Outside of the headache he's dealing with due to the Fyre Festival issues, he's also going to have to explain why it appears he was running a ticket scheme in the months leading up to that debacle.

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Leaked Fyre Festival Pitch Deck Is Proof It was Doomed to Fail

For Fyre Festival story no. 439, we are treated to the leaked pitch deck potential investors were given ahead of the doomed event's disastrous kickoff and subsequent postponement. Monday night, Vanity Fair's Nick Bilton shared the Fyre Festival pitch presentation in full, calling it one of the “most preposterous” outside capital invitations he's ever seen.

There's a lot to unpack here, arguably too much to unpack, but here are a few selected bits of preposterousness from the Bilton-obtained Fyre Festival pitch deck:

  • There's a Rumi quote slapped atop a photo collage of what the organizers hoped Fyre Fest would be: “Come, seek, for searching is the foundation of fortune.”
  • In another slide, the Fyre team vows that the “actual experience” of the festival “exceeds all expectations and is something that's hard to put to words.” Additionally, this slide promises, Fyre will “IGNITE that type of ENERGY, that type of POWER in our guests.”
  • Explaining the Fyre vision, the pitch deck summarizes the Fyre goals while referencing the “five elements of the earth.” According to this particular slide, Fyre has a five-year plan aimed at traveling the globe to discover “untouched lands” and flip them into “unparalleled experiences.”
  • Fyre Festival is touted as “the cultural experience of the decade.” Can't argue with that.

The most notable part, however, is the designation of so-called “Fyre Starters.” Fyre Starters are described as “ambassadors” who are part of the “Fyre Tribe.” Starters of Fyre listed in the leaked deck include Kendall Jenner, Bella Hadid, Hailey Baldwin, Ashanti, and more.

On Monday, TMZ claimed that claimed that Fyre founders Ja Rule and Billy McFarland had been “barred” from attempting another festival in the Bahamas. Another festival, however, is apparently in the works for an alternate location and inaugural attendees have been offered the option of eschewing refunds in favor of VIP passes to the next one.

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Fyre Fest’s Legal Troubles Are Likely to Get Much Worse

When attendees were flown to the Bahamas for Fyre Festival, they expected an exclusive luxury experience on a secluded island; in reality, they were given FEMA tents and dry American-cheese sandwiches.

According to insiders close to the organizers orchestrating the event, inadequate preparation had decided the fate of the festival long before last weekend. No artists had shown up, probably due to the fact that none of them had been paid. When attendees—who forked over thousands of dollars at various celebrities’ behest—arrived, they found “luxury villas” replaced by disaster relief tents and necessities in dangerously short supply. The scene resembled a high school track meet more than a high end resort. Many attendees found themselves hamstrung by sparse transportation largely under the control of the festival organizers and unable to leave the island. The situation quickly plummeted into what was described as some iteration of The Hunger Games.

On Sunday, it was reported that several festival goers had filed a class-action lawsuit against both Fyre Media—the company behind the botched festival—as well as Ja Rule and his partner Billy McFarland as individuals and also a number of employees, agents, or co-venturers of McFarland and Ja Rule that have yet to be named. The lawsuit claims that these employees may be considered a part of the conspiracy just by virtue of being involved in the planning of the ill-fated festival. The lawsuit alleges, in relevant part, that the defendants committed fraud and breach of the sales contract made via each ticket sale. These claims are probably not difficult to prove given the circumstances, but the complaint is littered with tweets and viral images, perhaps meant to go viral itself and elevate the profile of the plaintiffs’ case in hopes of netting a lush settlement. Their chances of obtaining over $100 million in damages are likely low, but one thing is certainly clear—the festival’s peace offering of a paltry refund and a promise for a better experience next year is not going to solve the humiliation and anger of the festival’s affluent clientele.

Image via Instagram

Events of this proportion usually maintain seriously high insurance policies, but it is unclear whether Fyre had one in this case. If not, the lawsuit is certainly likely to wipe out whatever is left in the Fyre Media Inc. bank account, but the same is not clear cut for Ja Rule and McFarland, as well as other employees of the company, who are named in their personal capacity. Generally speaking, a court will consider many factors to determine if the individuals can be liable, for example, whether the corporation has adequate insurance or funds to pay out the lawsuit, what the misconduct is, and whether other business formalities were adopted. However, this same analysis is not necessarily at play in case of any settlement, where Ja Rule and McFarland could decide to personally fork over some funds, particularly if they have any intention of keeping Fyre Media alive.

Just after the lawsuit was filed, the Fashion Law reported an exclusive statement from the plaintiff's’ counsel indicating that “all those who recklessly and blindly promoted the festival” will be head accountable. Given the vital role that social media influencers and models played in the promotion of the event, it seems almost unfathomable that they wouldn’t see some legal backlash. Kendall Jenner, Bella Hadid, Emily Ratajkowski, Chanel Iman, and Hailey Baldwin all participated in the campaign, some of them even posting native advertising on their own social media channels, encouraging fans to buy tickets to the world-class festival. Depending on claims that they made about the festival, and of course whether or not they disclosed that their posts were in fact advertisements—as is required by law—the Federal Trade Commission could get involved by prosecuting breach of Truth in Advertising laws.

Given the vital role that social media influencers and models played in the promotion of the event, it seems almost unfathomable that they wouldn’t see some legal backlash.

Ultimately, any personal liability that these celebrities take on will boil down to what their agreements were with the festival; a well-negotiated contract would usually force the festival to cover the cost of any lawsuit against a celebrity if the claim related to the festival itself. The same carefully negotiated agreement usually includes a carve out for the celebrity to abide by all applicable laws. Most of those posts are now deleted, but consider that some of the influencers may not have abided by mandatory FTC disclosure laws in their posts, and there’s a potential route for their liability. It’s hard to imagine that someone with a profile like Kendall Jenner would subject themselves to this kind of legal vulnerability, but there is no doubt that even if they are not themselves liable for the damage done, their reputations are taking a huge hit—effectively damaging their ability to command a high price to hawk the next product.

Finally, it is also possible that the Bahamian Ministry of Tourism could consider their own legal action, as estimations of income lost from the debacle are in the millions. For now though, the Ministry is distancing itself and promising to implement tougher vetting procedures for new festival planners. The Bahamas also issued a statement maintaining that it was not involved in the planning nor was it a sponsor of the festival, and asking guests and others who may have heard of the debacle not to let it tarnish their image of the country.

One thing remains at the core of many of these issues: leveraging your name for a product or event has high stakes, and while the festival organizers seem hopeful, a $100 million lawsuit and a reputation of incompetence is likely to keep them from proceeding next year.

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Fyre Festival Head Admits They Were ‘A Little Naive’ In Statement

The Fyre Festival, a “luxury” music festival in the Bahamas, captured social media today after it was postponed. The reasons this festival fell apart were many: lack of organization, no security on the ground, canceled flights, mishandled luggage, “cabanas” that were actually disaster relief tents, terrible food, lockers without locks, and more. If it sounds like a lot, that’s because it was.

Amid the festival falling apart, the atmosphere was described as “total chaos” and “pandemonium.” For a full rundown of the festival’s demise, read this

Fyre Festival was scheduled to feature performances from some big-time artists: Desiigner, Blink-182, Lil Yachty, Pusha T, Rae Sremmurd, Tyga, and more. Ja Rule co-organized the festival, and Bella Hadid and Kendall Jenner are among the celebrities who promoted it.

Ja Rule said it’s not his fault, but he’s taking responsibility, which I’m pretty sure is literally the opposite of taking responsibility.

The festival’s head, 25-year-old Billy McFarland, has released a lengthy statement—via Rolling Stone—detailing how the festival fell apart and admitting that he and his team were “a little naive.” You can read the full statement below.

“Today is definitely the toughest day of my life. I'd love the opportunity to go through and tell my story of how we got here and how I see it now and where it's going.

I was a computer programmer, and after computers, the two things I love most are the ocean and, for some reason, rap music. So these three hobbies of mine somehow led me to meeting my partner, Ja Rule. Together, we became friends and business partners. For us, it was always a battle of pushing the limits. Once we got flying lessons together, we got on these really bad 40-year-old planes and flew from New York to the Bahamas—not really knowing the Bahamas very well—ran out of gas and landed in the Exumas and both of us immediately fell in love.

We started this website and launched this festival marketing campaign. Our festival became a real thing and took [on] a life of its own. Our next step was to book the talent and actually make the music festival. We went out excited, and that's when a lot of reality and roadblocks hit.

The Exumas didn't have a really great infrastructure—there wasn't a great way to get guests in here—we were a little bit ambitious. There wasn't water or sewage. It was almost like we tried building a city out of nothing and it took almost all of our personal resources to make this happen, and everything we had, to make this festival go on. We thought we were ready and built two different festival sites.

The morning of the festival, a bad storm came in and took down half of our tents and busted water pipes. Guests started to arrive and the most basic function we take for granted in the U.S., we realized, “Wow, we can't do this.” We were on a rush job to fix everything and guests were arriving and that caused check-in to be delayed. We were overwhelmed and just didn't have the foresight to solve all these problems.

We made sure all guests got a place to stay and had a really long conversation overnight last night after everyone was housed about what to do next and realized we couldn't risk the safety challenges. So that was the decision that we made—the first thing for us was making sure all these guests get refunded [and] all the vendors get taken care of. All the guests are going home, the refunds are being processed.

The weather unfortunately delayed flights and made them run into each other in terms of being close to when a lot of people were arriving. That was unfortunately something we had no control of, but it made things unacceptable for guests and we feel bad for it.

We thought we were making timeframes that were correct. We were a little naïve in thinking for the first time we could do this ourselves. Next year, we will definitely start earlier. The reality is, we weren't experienced enough to keep up.

Everybody who wants to go home is being sent home tonight. Some of the guests who are staying in private homes, we're asking them to stay longer, if they can. We're going to take every measure to make this right for everybody now, and make this right for everybody next year, on a large scale.

There will be make-up dates, May 2018 in the U.S., free for everybody who signed up for this festival. We will donate $1.50 [per ticket] to the Bahamian Red Cross. It'll keep the theme of being on water and beach. It'll be not just music, but all forms of entertainment. The one change we will make is we will not try to do it ourselves. We will make sure there is infrastructure in place to support us.”

Reading that, you have to feel at least a little bad for the guy. It’s clear he and his team got caught up in the excitement of their idea—which sounds good in theory, until you realize the Exumas were not set up at all for a festival—and got ahead of themselves.

Granted, a lot of people got screwed over by the Fyre Festival—that's nothing to overlook—but it sounds like the festival’s team is doing what they can to make it right.

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Luxury Fyre Festival in the Bahamas ‘Fully Postponed’ Amid Reports of Total Chaos

A so-called “luxury” music festival in the Bahamas originally scheduled to feature performances from Pusha T, Desiigner, Lil Yachty, Blink-182, and more has descended into complete pandemonium. The festival was co-organized by Ja Rule and promoted by Bella Hadid and other celebrities, but BBC News reported Friday that the event had been plagued with reports of “no security” and canceled flights.

Reports on social media, including a play-by-play rundown from writer William N. Finley IV that was still in progress at the time of this writing, paint a pretty grim picture of the Exuma proceedings:

On Thursday, Blink-182 issued a statement announcing their decision to pull out of their previously scheduled Fyre Fest performances this weekend and next weekend. “We're not confident that we would have what we need to give you the quality of performances we always give our fans,” the band said. Other artists listed on the festival's schedule included Skepta, Tyga, Kaytranada, Major Lazer, and Rae Sremmurd.

Fyre Festival, according to Vanity Fair, is a product of Fyre Media, the startup Ja Rule launched with tech partner Billy McFarland in 2015. “We didn't just want to be a tech company that was a pure enterprise with no consumer awareness,” McFarland said in an interview conducted prior to the chaos. “So a festival was a great way to go and do that and beyond people who are attending.” The festival aimed for luxury, with a spokesperson telling Vanity Fair it was possible “to spend in excess of $104,995” for the “Fyre experience.”

Early Friday morning, a Twitter account associated with the Fyre Festival announced that the event had been “fully postponed.” In a previous statement on Instagram, Fyre reps conceded that “things got off to an unexpected start” on the first day of the would-be festival.

The Bahamas Ministry of Tourism offered a “heartfelt apology” to Fyre attendees who had traveled for the event, saying in a statement that “tourism is our number one industry” and that they were “extremely disappointed” in the way the festival had unfolded:

We are extremely disappointed in the way the events unfolded yesterday with the Fyre Festival. We offer a heartfelt apology to all who traveled to our country for this event.  Tourism is our number one industry and it is our aim to deliver world-class experiences and events. Hundreds of visitors to Exuma were met with total disorganization and chaos. The organizers of Fyre recently asked the Ministry of Tourism for support for their private event. The Ministry of Tourism is not an official sponsor of Fyre Festival. Given the magnitude of this undertaking, the MOT lent its support as we do with all international events. We offered advice and assisted with communications with other government agencies. The event organizers assured us that all measures were taken to ensure a safe and successful event but clearly they did not have the capacity to execute an event of this scale.  A team of Ministry of Tourism representatives is on the island to assist with the organization of a safe return of all Fyre Festival visitors. It is our hope that the Fyre Festival visitors would consider returning to the Islands Of The Bahamas in the future to truly experience all of our beauty.  

Complex's attempts to reach Fyre Festival reps Friday were not immediately successful.

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Triple-Doubles Are Bad For Basketball

The triple-double has never guaranteed a win or a championship. Yet, the NBA world's fetishization of stats—not to be confused with the catch-all term old heads deride: analytics—has elevated the triple-double to a monolith of all-around excellence.  Because of this, Russell Westbrook's breaking of Oscar Robertson's 60-year-old record for triple-doubles in a single campaign and his season-long average of 31.6 points, 10.7 rebounds, and 10.4 assists was the storyline of the regular season. But the veneration of the triple-double across the NBA landscape hurts the game in the long run, and it might even exclude #WhyNot Russ from MVP.

The difficulty in attaining a triple-double, let alone averaging one, speaks to its hallowed place in modern NBA lore. (This wasn’t always the case, but don’t you dare blame Ice Cube). Double digits in three or more of the traditional counting stats—points, rebounds, assists, blocks, or steals—in a single game is hard, but to do so at the NBA level for an entire 82-game season used to be thought of as impossible. Except, the unfathomable season Russ just put forth has been clouded by talk of triple-doubles, and for the rest of the league it’s an ominous storm.

The unequal footing fans give the triple-double doesn’t translate when you hear people pop off about the MVP on Twitter. Most national media with a vote don’t give the stat as much clout as the average fan, and they shouldn’t.

The moment we elevate a statistical total—no matter how improbable—above the result of the actual game, the game itself becomes debased. No one knows this better than Russ, who tried to shut down the incessant talking point back in December, snapping at reporters, “I really don’t care. For the hundredth time. I don’t care. All I care about is winning, honestly. All the numbers shit don’t mean nothing to me.”

But that claim is disingenuous. Just ask every rebound from an opponent's missed free throw corralled by No. 0 with Steven Adams, Andre Roberson, and Enes Kanter blockading the paint like it was their point guard’s turn at SpikeBall.

But Russ isn't the only one to upend what makes basketball so amazing by gunning for a triple-double. Draymond Green, the team-first Swiss Army Knife who, in our opinion, is the best defender in the game today, admitted to hurting his Warriors by chasing a triple-double last season. He knew it had impinged on his ability to just play.

Up big in the third quarter in a game against the 76ers, he made a concerted effort to notch another triple-double. “We started turning the ball over due to my selfish unselfishness, and it was all downhill from there,” Green said of his actions. When he was asked about his attempt for that final assist, he was almost embarrassed: “Could you tell? It looked bad. It felt bad.”

That's the biggest problem when the triple-double becomes the whole exercise. Draymond isn’t the only one to lapse into this type of thinking, and he’s certainly not the most overt example. That distinction belongs to Ricky Davis, or—for the younger readers—Nick Young before Nick Young.

Ricky Davis Utah Cleveland 2003
Image via Getty/Kent Horner

In 2003, holding a 25-point lead late in the fourth against the Utah Jazz, Ricky shot at his own basket to get his final rebound for a triple-double. DeShawn Stevenson fouled him rather than let it happen.

“I was proud of DeShawn, and I would have knocked him down harder,” then-Jazz coach Jerry Sloan said. “They can put me in jail for saying that, but that's the way it is.”

But Ricky isn’t the only one to break unspoken rules of sportsmanship in a selfish attempt for a triple-double. Nic Batum, Bobby Sura (on the cusp of his third in three games—how quaint!), and of course JaVale McGee have all gone to outrageous lengths for that coveted statline.

It’s demeaning. The players themselves know this, too. Like Draymond, Batum was besieged with grief when he realized he’d knocked down a 40-footer at the buzzer with his team up by seven: “That is maybe the worst thing I’ve done in my career,” he said right after the game. And this was a year after he punched Juan Carlos Navarro in the nuts during the Olympics.

The unequal footing fans give the triple-double doesn’t translate when you hear people pop off about the MVP on Twitter. Most national media with a vote don’t give the stat as much clout as the average fan, and they shouldn’t when you realize James Harden’s per-48 minute numbers compare favorably with Russ. It’s the impetus for the backlash against his MVP campaign.

Ironically, Russell’s triple-double lodestone has actually hurt him like it has the game. We’ve become so wrapped up in the statistic, the blood, guts, energy, and incredible stamina to maintain his level of production throughout this season gets swept under his box score’s rug. He’s so much more than that number, just like the game of basketball.

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